What a waste of resources and potential... I have lots of respect for Michael Arias for his work in Tekkonkinkreet, and Nakamura has been partaking in the making of great films as early as the 80's... The problem is not the direction, it's the scenario. World-building is quite fine: a utopian & futuristic environment living under the ideology of "lifeism" where people are connected through a centralized system that values safety, self-preservation and empathy above everything else. So far so good... but after the exposition segment, the events start taking a curve that bends away from any reasonable or believable development. The writing is ridiculously bad, the ending both lazy & lousy.作为电影主题本身，通过科幻形式来讲手机辐射有害鸟类的故事，来讲发来科技仅仅是满足个人享受而对生态造成严重危害的道理，挺不容易的.     作为宝莱坞电影探讨人类与科技的话题，比我朝那些要么玄幻魔幻宫廷辫子心机斗争玛丽苏爱情故事，要么伟光正的歌颂某某的主旋律，要么苦大仇恨憋文艺抖阴暗的“现实主义”大作们强太多太多了.     一个国家一个民族，屹立于世界，要让世人尊重，并不是因为你GDP多高，多富有，武力多强大，而是你真正创造了关怀人类心灵的文化.     东面岛国亦是.     20世纪30年代，华夏大地成为各方势力角逐厮杀的修罗场.     张宪臣（张译 饰）、张兰（刘浩存 饰）、王楚良（朱亚文 饰）和王郁（秦海璐 饰）等四名在苏联接受特训的共产党特工人员，按照组织的指示秘密潜入伪满洲国执行任务.     但是由于组织内部出现叛徒，他们的行踪早已被特务科科长高彬（倪大红 饰）获悉.     高彬阴狠狡诈，手下鹰犬更是嗜血成性，他旋即为四人组成的乌特拉小组布下了凶险非常的天罗地网.     而为了保全四人安全，潜伏在敌人内部的地下党同志也想尽一切办法和对手周旋.